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"All of them have to do with the economy of offerings to the supernatural," Bleiberg said.

Statues were placed in niches in tombs or temples to protect them on three sides.Nefertiti's husband Akhenaten brought a rare stylistic shift to Egyptian art in the Amarna period (ca. The successive rebellions wrought by his son Tutankhamun and his ilk included restoring the longtime worship of the god Amun; "the destruction of Akhenaten's monuments was therefore thorough and effective," Bleiberg writes.Yet Nefertiti and her daughters also suffered; these acts of iconoclasm have obscured many details of her reign.Discerning the difference between accidental damage and deliberate vandalism came down to recognizing such patterns.A protruding nose on a three-dimensional statue is easily broken, he conceded, but the plot thickens when flat reliefs also sport smashed noses.

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