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And the neighborhood where American Bandstand’s WFIL TV studio was located was also mixed racially.However, the on-screen studio audience of – especially in the early and mid-1950s – wasn’t their favorite kind of music to begin with, and so there was some self exclusion.
And he also packaged concert tours, taking the music on the road. We published the songs domestically and abroad, managed the acts, pressed the records, distributed the records, promoted the records. Clark was investigated by Congress during the scandal, along with other prominent DJs like Alan Freed.The show was also receiving 20,000 to 45,000 fan letters a week.Teenagers came to Philadelphia from wide and far for a chance to dance on the show.And along the way, Dick Clark became a wealthy man, buying into music publishing companies, record labels, and promoting “Philly sound” recording artiststs on those labels — stars such as Frankie Avalon, Bobby Rydell, and Fabian.Clark also became involved in managing the artists, formed a radio offshoot, and conducted live productions.